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Elizabeth Dorman

Elizabeth Dorman, piano
Praised by Joshua Kosman of the San Francisco Chronicle for her “elegance and verve,” pianist Elizabeth Dorman enjoys performing music both new and old as a soloist and chamber musician. A finalist of the 2018 Leipzig International Bach Competition, Dorman has been widely recognized as a leading performer for her inquisitive interpretations of Bach’s music on the modern piano.
Dorman has appeared as a soloist with the Louisville Orchestra, the Leipzig Mendelssohn Chamber Orchestra, the San Francisco Symphony Youth Orchestra and Symphony Parnassus, as well as for interdisciplinary projects at the New World Symphony. She has been presented as a soloist and chamber musician at venues including the Kennedy Center, Davies Symphony Hall, Herbst Theater, Merkin Hall, Carnegie’s Weill Hall, Leipzig’s Hochschule für Musik and San Francisco Symphony’s SoundBox. Her live solo performances have been nationally broadcast on NPR and public radio. She has appeared at festivals including Tanglewood, Britt, Sarasota, Aspen, Toronto Summer Music, Icicle Creek, and Banff Centre.

Working with the Bridge Arts Ensemble, Stony Brook University and the Ross McKee Foundation, Dorman has produced concerts, lectures and workshops for music students and was honored with the Father Merlet Award from Pro Musicis for her work training high school music students in community engagement.

A native of San Francisco, Dorman began her training in piano and double bass at the San Francisco Conservatory of Music under Paul Hersh and Stephen Tramontozzi. She was awarded a Doctor of Musical Arts from Stony Brook University, where she studied with Gilbert Kalish. Other important mentors in her musical development include Robert Levin, the Emerson String Quartet, Christina Dahl, Wu Han, Mark Sokol, Emmanuel Ax and Arthur Haas.

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